At one time, he employed seven gardeners at once. As such, he wrote precise instructions for his gardeners, with specific designs and color layouts, and amassed a large collection of botanical books. By 1890, he was prosperous to buy a large house and garden, where he would continue to paint for the rest of his life.ДЄs a painter of controlled nature, MonetвЂ™s garden was one of his biggest sources of inspiration. Upon the death of his wife Camille to tuberculosis after the birth of their second child, Monet was resolved never to life in poverty again, and was determined to create some of the best artworks of the 19th century. Upon the outbreak of the Franco-Prussian War, Monet fled to England, also traveling to the Netherlands before his return to Paris, after which he exhibited many of his works in 1874, at the first Impressionist Exhibition.

Upon his return to Paris, he studied the вЂњen plein airвЂќ methods, along with Pierre-Auguste Renoir, Frederic Bazille, and Alfred Sisley, and developed the painting style that would soon be known as Impressionism. But his stay was cut short after two years when he was hit by a bout of typhoid fever, and his aunt arranged for his release, as long as he continued his art studies. When he was twenty-one years old, he joined the First Regiment of African Light Calvary in Algeria, for a seven year tour. At the age of 16, Monet left school for Paris, where instead of studying the great artworks of the masters, he sat by the window and painted what he saw outside. Five years later, he met artist Eugene Bouldin, who taught him the techniques of вЂњen plein airвЂќ painting and became his mentor. During his stay at the secondary school, he was known for the caricatures he would draw for the locals for ten to twenty francs each. As a child, his father wanted him to go into the grocery business, but his heart was in the profession of artistry, and at age 11, he entered Le Havre secondary school of the arts. Once called an abstract piece of unfinished work by critics, over one-hundred years later, MonetвЂ™s work Impression, Sunrise is part of a historic art movement, and Monet helped to make a name for the Impressionistic artists as well.Claude Monet was in almost every sense the founder of French Impressionist painting, the term itself coming from one of his paintings, Impression, Sunrise. The viewer almost feels that he is looking out the same window that Monet did that Spring morning. This accurate reproduction of MonetвЂ™s impression, and resulting mood of atmospheric conditions dominate, and limit the importance of great detail. This supports MonetвЂ™s mastery of depicting light effects on scenes which he painted. The shipsвЂ™ masts are sometimes disrupted by the rippling water, as the silhouettes of the boats seem to be disappearing into the mist.ДЄn interesting observation about this painting is that although the sun seems to be much brighter than the rest of the scene, if viewed removing all color, the sun almost disappears. The abbreviated, darker brushstrokes in the water, create motion, and ripples, while hints of orange and yellow appear as a reflection of the sunrise in the harbor water. Because it was a very misty morning on the harbor, the clouds are colored by the rising sun, in the dense mist, and the boats take shape, without great definition. In this Monet painting, the sun is placed against the dawn sky, with orange and blue-violet contrast. Because Monet did not feel that there was enough detail to title the painting Harbor of LeHavre, the name Impression, Sunrise was given, and Monet titled most of his paintings with вЂњImpressionвЂќ for this reason. MonetвЂ™s quick sketches, or pochade, capture a particular light effect, therefore are very spontaneous. While on vacation, Impression, Sunrise was sketched, while Monet was looking out his window one spring morning. It characterizes MonetвЂ™s work throughout his lifetime, and is sketched in oil paints on canvas, and executed quickly, to capture the atmospheric or natural light moment. The scene painted in this Monet painting was of the harbor of LeHavre, in France. Little did he know, Impression, Sunrise would become the name of a historical art movement. Monet originally named the painting Marina, but changed the title to Impression, Sunrise (Impression, Soleil Levant) for the 1874 Exhibition catalog listing. Shapes are formed by how the colors of the scene are detected, forming pictures naturally. Impressionists paint colors perceived with natural light, with little importance given to details. The great French artist, Claude Monet, was responsible for introducing the idea of impression to the art movement of those who painted what they perceived at a certain point in time.

Claude monet impression sunrise